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    Differentiation between different soft hammers stigmats, quantitative and traceological approach

    Jean-Thomas Vie, zixuan shen

    Published: 2024-05-28 DOI: 10.17504/protocols.io.eq2lyw3mmvx9/v1
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    Abstract

    Many studies in archaeology focus on the traces associated with stone knapping during prehistory, debating their correlation with the techniques used (Clément, 2021; Pelegrin, 2000). However, it is important to note that these traces are intimately linked to the physical qualities of the rock, as well as its response to the gesture, force, and experience of the knapper. These criteria can lead to a diversity of marks but can also introduce biases into the analysis, especially as the sensitivity of some rocks varies when struck. Thus, the complexity of interpreting knapping traces intensifies when adopting a qualitative approach, highlighting the multitude of factors to consider for precise analysis.

    Furthermore, the historical approach to the analysis of soft percussion use has primarily focused on specific regions such as Europe (Roussel et al., 2009), North Africa (Sari, 2016), the Middle East (Pelegrin and Inizan, 2013), and the United States. These analyses have largely relied on locally available materials, such as limestone, deer antler, or boxwood. Consequently, they offer a limited perspective and may not necessarily generalize results to other geographical or ecological contexts. Additionally, while the use of different soft percussors and their identity have been established in areas where deer are found, many questions remain regarding the identity of the soft percussor in historically deer-free ecological zones. Acquiring soft percussors from animal wood is not possible, but the use of other materials such as hard vegetal wood may have played a similar role.

    Through experimental flake production and the traceological study of marks on the platforms of these productions resulting from soft percussion, it would be possible to determine specific traces associated with vegetal soft percussion.

    Therefore, we try to compare knapping by different percussors (three soft hammers and one hard hammer) on different raw materials, and observe their dimensional data and technical characteristics.

    Before start

    Be sure to conduct this experimentation in a controlled environment to avoid any contamination of archaeological sites.

    Attachments

    INFO EXPE .pdf Experiment record.xlsx some test results.pptx

    Steps

    Camera setting

    1.

    Place the camera in front of the experimentator

    2.

    run the carmera and the experimentator explain what do he want to produce

    Selection of a specific raw material

    3.

    Select Raw material : Sandstone quartzite, Quartzite, Flint, Quartz

    4.

    Preparation of the elongated flake core:

    5.

    Preparation of a bifacial preform while opening somes striking platforms (optional)

    5.1.

    Choosing the suitable hammer:1 Boxwood percussor、2 Deer antler percussor、3 Soft rock percussor such as sandstone or limestone、 4 bone hammer

    Knapping with different hammers in order to produce flakes

    6.

    Use hammer from low to high hardness to produce flakes :

    Soft rock percussor, volcanic rock percussor.

    We plan to knap in the order of Sandstone quartzite, Quartzite, Flint, Quartz. For each raw material, we use the hammer in order to get 10 flakes (i.e., for each raw material, we will get 40 flakes totally)

    7.

    please use only tangential gesture

    8.

    first produce 10 flakes with Boxwood percussor

    9.

    Store each flake with a paper explaining the type of hammer the raw material the gesture of production position in the dicritical schema with a number or on the excel document

    10.

    10 flakes with bone percussor

    11.

    Store each flake with a paper explaining the type of hammer the raw material the gesture of production position in the dicritical schema with a number or on the excel document

    12.

    10 flakes with Deer antler percussor

    13.

    Store each flake with a paper explaining the type of hammer the raw material the gesture of production position in the dicritical schema with a number or on the excel document

    14.

    10 flakes with soft rock percussor

    15.

    Store each flake with a paper explaining the type of hammer the raw material the gesture of production position in the dicritical schema with a number or on the excel document

    16.

    you can also store the core used to produce the flakes

    Data record

    17.

    Macro Mesurments

    17.1.

    technological Leght of the piece

    17.10.

    Bulb scar

    17.11.

    angle de

    chasse (dorsal talus angle)

    17.12.

    flaking angle (ventral talus angle)

    17.13.

    presence of point of impact

    17.2.

    widness of the flake

    17.3.

    thickness of the flake

    17.4.

    widness of the talus

    17.5.

    thickness of the talus

    17.6.

    Hackel

    17.7.

    morphology of the bulb

    17.8.

    lip

    17.9.

    ripples

    18.

    Micro trace (micro ware on talus)

    18.1.

    smached residue and strations

    Take a picture if there is one and describe it

    18.2.

    craks

    18.3.

    hertzian cone 40x 50x zoom

    angle of the cone

    size of the cone

    smached crack

    18.4.

    scar small removal retouchings

    18.5.

    stration

    Data analysis

    19.

    mean comparaison test

    19.1.

    max and min size

    19.2.
    19.3.
    20.

    boxplot

    20.1.

    see the size of the flakes

    20.2.
    21.

    qualitative approcha

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